Seven bursts of ramshackle drum/bass DBeat violence.
20 February 2017
Perfectly executed bombastic Japanese DBeat hardcore punk. Loud, fast, massive guitars, howling vocals, just the tiniest hint of melody in the riffs...check the "ooopphh!!" after the drums start "Shinjutsu" and if you are raging then you aren't listening. This 2014 demo is exactly what it's supposed to be, and it's exactly what you need.
19 February 2017
18 February 2017
The unearthed gems from the would-have-been commercial success stories that never were...the stories are mysteries, and the cassette bins at your local charity shop are likely hiding a few of the gems. Late 1980s suburban Bay Area glam/punk/schlock, LATENT IMAGE harness elements of THE CULT, (then) contemporary IGGY POP, Sunset Strip leads, and Eldridge pomp. Some of the songs are too long (especially the 6+ minute opener "You're Still The One"), but there's something that just clicks about this one....maybe it's because they are clearly so deadly serious. The solo in "Working Girls" is brat pack montage gold, and there's not a hint of irony. I picture some dudes in a garage with flowing locks, who would have their dreams crushed just a few years later when the dirty and underproduced sounds of Seattle took over the airwaves...struggling to add the grit they had spent a would-have-been career sweeping off. Keep digging, my friends.
17 February 2017
Hard to comprehend that the seeds of the current (and now, I suppose, recently past?) crop of mutant hardcore in and around Olympia, Washington were planted more than a decade ago. But alas, it was 2006 when we shared a mobile home with WHITE BOSS at a show that ended with a massive trash fire out back and chants of "MEGA! MEGA! MEGA!" as freeks threw compressed combustibles into the blaze. Low fidelity reality from the radical libertarian void, circa 2007: SEX VID, SISTER, FUNEROT, HIV, HORRIBLE, and LOOSE CHANGE. Pull up your trousers.
16 February 2017
It's cool if I don't always have the right words, isn't it? Because the things that SHAKING HEADS remind me of sound so dreadfully typical so I'm going to keep me references to myself and wait for yours. I'll just say that it's good. And that's it's perfect for those punk occasions when hardcore isn't actually king. I mean, hardcore is obviously king, but we don't always want to be in the king's court all the time, right?
15 February 2017
The tonnage of life itself can weigh you down in inexplicable ways, and sometimes the tonnage itself is the only relief. I know what I mean when I say that, even though it doesn't make sense when I read the words....but it's a nod to the earnest intensity of this Russian band. I guess we called this "metalcore" or even "modern hardcore" back in the '90s, though all of the era specific genre descriptors seem even emptier now than they did at the time. AFTERLIFE are heavy, powerful, determinedly midtempo slog. The shit takes me someplace, and I am happy to be there. It's not here. So let's go.
14 February 2017
You know those times when you just open your eyes and you are alive? It's a pretty good feeling, and a feeling that we all should have more often. That doesn't really have anything to do with either of the French bands on this tape, but it's a thing I was thinking while I was listening to it....so maybe they are related. Twee/pop from PRÊCHEUR LOOP, really really good shit. Subdued psych/no wave on the flip..."Spare No Time" is a lost Nugget. Get it...feel alive.
13 February 2017
Oh, I'm sorry. I didn't know that you stopped publicly backing and pretending to listen to blistering ear torture distortion with light speed neanderthal beats. I guess I'll try to post some en vogue and/or currently cool things soon. You'll have to suffer through this until then. But on the up side, the THE BOYS cover here is next level awesome.
12 February 2017
The liberation of solitude and the fruits of home recording join forces on this 32 minute offering from Bay Area project NOTHING BAND. Filling the shoes of local-esque names like RESIDENTS, FATRIX, and NEGATIVLAND quite nicely, I feel like these are sounds that will be noticed and/or appreciated more in future times, but that is only because "our" vision is too narrow, my friends. And for a very weird and (I swear) completely accidental addition to today's post, I offered you (dear visitors) the 3: Aloner cassette from NOTHING BAND on 12 February 2016. Sometimes things just work out.
CLOSE THE THE PAST
11 February 2017
Impulse buys treat you right, kids. Part ways with unwanted and/or unneeded funds whenever possible and, occasionally, you will be rewarded. In this case, because we are friends, you only have to download. The first one is free.
10 February 2017
Recently, I made a series of related mix tapes for three friends that will be visiting later this month. I started them all with the same track ("Today's Modern Woman" by SUBTONIX - which is unquestionably one of my favorite, and one of the greatest, punk songs of all time) and kept a few common themes throughout the tapes while still trying to tailor each one my understanding of the tastes and interests of each friend. It's a challenge, but it's a fun one. So each mix has different tracks from HAWKWIND, PAUL SIMON, OMID WALIZADEH and SISTERS OF MERCY. On the one hand, this selection (version #2, in case you can't decipher my title) is a bit more punk than the other two that will all appear here in coming weeks, it also features a creamer from SIGUE SIGUE SPUTNIK and RARE EARTH's "(I Know) I'm Losing You" (which is to rock music what the aforementioned SUBTONIX track is to punk)....but diversity is what makes a mix tape good for listening. Right? Right. Punk is for meeting friends, mix tapes are for letting you know you love them.
09 February 2017
Killer '80s Mexican punk, but from 1990. Sometimes they remind me of REZILLOS, the vocals flirt the lazy nasal drawl of PLASTIC BERTRAND while spewing snotty early EBBA GRÖN attitude, and when they wind it up and let it rip? Well, punk rules, ok? But never mind my blithering, just blast "Ya Es Delito Ser Punk" and you won't care about comparisons.
08 February 2017
This GURR band from Berlin had me hooked from the first note. Andreya's vocals are the first thing the reel you in, and her shrill wails that lead into the chorus of "Super Tired" make it very clear that this outfit is not one to be fukkd with. Hyper infectious dark (but peppy) garage jams with songs that stopped me in my tracks like few things I've heard (DASHER comes to mind, however), the shit is just right. A weird amalgamation of GORILLA ANGREB and DEAD MILKMEN and LOST SOUNDS....it rules. Period. And "Hey My Friend" is like the "Couldn't (If I Tried)" for the new millennium, and if you know what that means then you fukkn know what I'm talking about.
07 February 2017
Snagged on a complete whim on a recent trip to Southern California, I basically thought this thing looked like it might be cool and figured it was worth a $5 gamble. Live loose, man...let it roll, you can't take it with you, right? So might as well shove some jams into your canal before you move on down the line. And so I gambled, and I was treated to 66 minutes of bleak atmospheric metal. Slow motion heaviness interrupts periods of carefully constructed quietude, with searing vocals that demand as much attention as the morose wailing guitars that permeate the interludes....interludes that create The Fifth Element's aura, but make up a substantial portion of its content. Get dark.